Well I do say Miss Megsome you are clearly overreacting.





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♥

_{What's the world coming to?}

i love it... i really do. im going to have nightmares forever... but still. awesome manip.

Haha, its going to plague your mind forevar!

ahem... I mean, I'm glad you like it and I'm sorry it'll give you nightmares.

Thanks so much for the and the devwatch.

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♥

_{What's the world coming to?}

This is sooooooooo amazingly groovy!

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Are you ready to jump?

[link]

Woah, its's groovy? That's so bitchin'!

thankyou.

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♥

_{What's the world coming to?}

It is groovy.......makes you think, if you get what I mean!!!!!! even if you don't just agree with me please

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Are you ready to jump?

[link]

ok, i agree.

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♥

_{What's the world coming to?}

Good, I like it when people agree with me..........

--
Are you ready to jump?

[link]

AWESOME.

i simply love the way jamaisXvu coveys the sorrow with the deep aqua color scheme and color grading.

furthermore, the caustics! (underwater lighting effect)

the only way this image could possibly be improved (taking a long shot here is by

correcting the perspective of the caustic underwater effect by
projecting some fake caustics (found on the bottom of your backyard swimming pool on a sunny day)
onto the scene by using a photo of the bottom of the pool with the caustics shining thru onto the bottom.

once you have your "caustics map" (the pool bottom photo), use the photo as a light source in a 3d scene and project the light on to a 3d model of a 3d woman lying in the same pand taken on the same angle as the real life woman.
BUT when you go to render the front view, dont forget to make the model of the 3d woman invisble to the active camera.
ALL we want the camera to see here is the causics and not the model or ANYTHING else in the scene.

one you have successfully rendered out your "caustics render pass" (pikture
(your picture should look predominantly black with white causitics)

now fire up photoshop
load up your "origonal version of the photo"
load up your "caustics render pass" (the pikture we just rendered
copy the "caustics render pass" and paste it into the "origonal version of the photo"
be sure to use the "screen" blending mode


just a suggestion

|--------------------------------------- ---------------------------------------- -------------|
| ## Please Note ## |
|(I structure my sentances just like i structure most of my code. deal with it |
|--------------------------------------- ---------------------------------------- -------------|

AWESOME.

i simply love the way jamaisXvu coveys the sorrow with the deep aqua color scheme and color grading.

furthermore, the caustics! (underwater lighting effect)

the only way this image could possibly be improved (taking a long shot here is by

correcting the perspective of the caustic underwater effect by
projecting some fake caustics (found on the bottom of your backyard swimming pool on a sunny day)
onto the scene by using a photo of the bottom of the pool with the caustics shining thru onto the bottom.

once you have your "caustics map" (the pool bottom photo), use the photo as a light source in a 3d scene and project the light on to a 3d model of a 3d woman lying in the same pand taken on the same angle as the real life woman.
BUT when you go to render the front view, dont forget to make the model of the 3d woman invisble to the active camera.
ALL we want the camera to see here is the causics and not the model or ANYTHING else in the scene.

one you have successfully rendered out your "caustics render pass" (pikture
(your picture should look predominantly black with white causitics)

now fire up photoshop
load up your "origonal version of the photo"
load up your "caustics render pass" (the pikture we just rendered
copy the "caustics render pass" and paste it into the "origonal version of the photo"
be sure to use the "screen" blending mode


just a suggestion

|--------------------------------------- ---------------------------------------- -------------|
| ## Please Note ## |
|(I structure my sentances just like i structure most of my code. deal with it |
|--------------------------------------- ---------------------------------------- -------------|